On the structure of Mariano Llinás’ LA FLOR: “…like freeze-tag improv on a massive cinematic canvas.”
by Jackie Moffitt
It’s not common to encounter a movie which challenges our very concept of what comprises a unified feature film. Yet Mariano Llinás’ 2018 magnum opus, La Flor, does exactly this. Divided into 4 equilateral slabs of narrative for screening purposes, La Flor